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Dance Spotlight – Jose “El Fluffy Salsero” Hernandez

Jose Hernandez aka El Fluffy Salsero is featured in this edition of the Dance Spotlight!  Jose is a salsa socialite of the highest order and is known by many in the DFW latin dance scene.  If you’re new to the DFW latin dance community and want to quickly make some new dance friends then getting to know ‘Fluffy’ would be a good idea. Below are some fun dance facts about Jose and one of his favorite dance videos!

Where are you from?
I was born in Dallas, TX. Raised in Lubbock, TX. Came back to Dallas, TX about 4.5 years ago.

Favorite DFW Dance Partners or dancers? (People you have the most fun dancing with or just like to watch dance)
There is way too much talent to have a list of favorites. I enjoy dancing with many dancers. Each dancer brings something to the dance I have with them. Some at least one characteristic, others several. Like smiling, technique, styling, energy, humility, musicality and etc.

Favorite DFW Socials/Places to Dance?
DFW is fortunate to have so many places to choose from. In Lubbock, there was only one social per week. Occasionally two. I can’t say that I have a favorite because it’s not the place that matters to me. It’s the company. It can be a hole in the wall place, a place with a small crowd or a place with a horrible DJ, but as long as I am in good company, I am sure to have a good time!

Dance Pet Peeves? (Hygiene, No connection, People who teach while dancing, etc)
I would have to say my top 5 dance pet peeves are the following in no particular order: 1) Hygiene. I don’t care about sweat. But if you smell, that makes the dance unpleasant. Do something about it. 2) Back-leading. When I am leading, let me lead. 3) Over-styling. Dance with me. Make it about us, not just you. 4) Rejection. If you reject me, I feel it is dance etiquette to reject all others in the same song. Looks bad to say no to someone and then immediately dance with someone else. Of course there are circumstances that may warrant it. 5) Hellos and goodbyes. I feel it is rude to interrupt a dance to hug someone. Wait or just wave to acknowledge who you want to greet.

Favorite Dance Moment? (Performance, funny moment, etc)
I’ve been social dancing over 10 years. I’ve had way to many awesome dance moments. So I will share a more general one. My favorite dance moment is when you dance with someone and you have great chemistry. There is great connection. You’re smiling. You’re both feeling the song. You do moves that complement one another and the music. That is my favorite dance moment. Having those dances that just leave you in awe.

Fav Dance Genre? (Salsa, Bachata, Kizomba, etc)
My top 2 favorite dance genres are Salsa and Bachata.

What dance movie title describes your attitude while dancing?
Burlesque, Bring It On, Dirty Dancing, Footloose, Magic Mike, You Got Served, or Other (Your choice):
I would have to go with Dirty Dancing because of innocence, sensuality and passion.

Favorite dance video you’d like to share?
There is so much talent out there. I’ve seen tons of great dance videos. So hard to choose. For the sake of choosing one, I will go with the one I have most recently shared. I like this video because Daniel Sanchez being a known international instructor and dancer from Spain is still humble enough to dance with someone of the same-gender. Despite public opinion.

Your Dollar is Your Vote: You Get What You’re Willing to Pay For

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Too often, I have heard people complain about the costs associated with Latin dance, whether it’s bringing in professional dancers for congresses or paying the cover for a social. I recently saw a discussion online about how much European dancers get paid to come to the States to teach and perform. The rates vary, but this discussion referenced the professionals getting $3,000, plus travel expenses, for a weekend. It might sound like a lot, but remember: the pros are getting paid to travel across the Atlantic Ocean, bring their decades of combined experience, and spend a grueling weekend teaching workshops and private lessons, performing, and social dancing.

To some, $3,000 for a weekend of work is a lot of money. But entertainers in other industries are making way more than that per gig— for example, celebrity DJ Tiesto can average $250,000 for just one night.

The “big name” performers at congresses and festivals are the Latin Dance world’s celebrities and rock stars. But they aren’t getting rock star salaries.

This whole exchange about how much professional performers should or shouldn’t get paid illustrated one of the biggest pitfalls in the Latin Dance world, something that everyone from the casual social dancer to the congress organizer needs to remember: Your dollar is your vote.

By paying trained and experienced professionals to perform, teach, and inspire, organizers are voting for a higher quality of dance. Professional dancers dedicate their lives to dance. They have invested thousands of dollars and hours in learning, training, and perfecting their craft, and should be paid for their experience. This is how dance is passed on to the next generation. How it grows, evolves, and improves.

Social dancers who attend any event, whether a local social or a national congress, need to remember as well that their dollar is their vote. We live in a capitalist society. There is no way around it. Everything costs money. Socials cost money to put on—whether they’re at a rented venue space or bar, none of these spaces pop up for free and must be supported, with money, or they will go away.

In my area, a Latin band used to play weekly at a local bar, and there was no cover charge to come and dance. It was packed every week – you could barely find room on the dance floor. But after a year or two, the servers at the bar got tired of not making any money on such a seemingly popular night. Dancers would come and just order water, and eventually, the bar stopped hosting the band. The dancers forgot that their dollar was their vote. They forgot that if they didn’t support the venue, the venue could not afford to cover its costs and continue to put on the event.

I’ve heard of the same thing happening in other communities—dance events not lasting at bars because the dancers don’t buy food and drinks, venues shutting down socials because of low attendance, events being cancelled because of insufficient ticket sales.

So no matter who you are in the Latin Dance world—a first time dancer, an instructor, an event organizer, an avid social dancer—remember that your dollar is your vote. And that every vote counts.

If you want to have somewhere to dance in your community, go to the socials and pay for them. If the events are at a bar or restaurant, buy a drink or an appetizer and tip your servers. If you want to benefit from quality dance instruction, pay teachers for it. If you want to be able to keep going to congresses and festivals, buy tickets to them. Don’t assume that other people are going to keep a venue, an event, or a dancer afloat. Do your part. Your dollar is your vote.

Do’s and Don’ts of Dance Resolutions

Ah, it’s that time of year again: that wonderful time when we get to start fresh, set unrealistic goals, and punish ourselves and feel ashamed when we don’t achieve them. Or at least that’s what usually happens, right?

If you’re reading this or any other post, you are likely someone who enjoys Latin dancing and you may have set a few dance resolutions for yourself this year. That’s great if it means you are further pursuing something you enjoy, but it becomes a problem when you take on too many goals at once or if those goals aren’t truly designed with YOU in mind. These are some of the fatal flaws I’ve come to notice about dance resolutions:

More, more, MORE!

Unfortunately, we often focus on quantity rather than quality when stating our new year’s resolutions. For example: I will take three classes every week! I will choreograph five new routines! I will social dance for eight hours every weekend! I will move on to the “advanced class” before June! Unfortunately, taking on too much at once or moving on to a new level before you are ready will only increase your frustration. Instead of striving to do more, narrow your focus and decide what it is you’d like to improve. For example, I really want to learn new bachata footwork patterns this year and be able to execute them with perfect timing on the dance floor. So, I will take classes and workshops that will help me to achieve this goal. I won’t set a deadline for myself; rather, I will continue to work on this skill until I feel I’ve mastered it which…may be never–but at least I’ll be better than I was! And that leads me to my second point…

Constant comparisons

We want to be as good as or better than ________ (insert name of dancer you LOVE here) when really, we should focus on self-improvement and being better than we were last year. Stop saying, “I want to dance like Alien Ramirez” (note: I chose her name because I actually used to say that all the time!). Instead, say “I want to dance like ME, but better!” Striving to improve your dancing is wonderful, whether it be through taking classes or workshops or just simply practicing more often, but you are YOU and the goal should be to be content with what you have to offer. Sometimes, I hear people say, “Oh, I haven’t been dancing very long, so I’m not as good as _________.” Stop doing that! Some people have been dancing at the same level for ten years without taking any classes and they are content (which is OK, by the way). Some have been dancing for six months, have worked their butts off by learning as much as possible, and have progressed incredibly quickly. Don’t worry about how long you’ve been dancing–just focus on where you want to go. Another odd comparison I have noticed over the years is that some folks lie about how long they have been dancing. Perhaps they are trying to impress people with their skill level by saying they are brand new to Latin dance when they’ve actually been dancing for a while. I have heard this many times: “Oh, I’ve only been dancing for two years”….yeah, but that’s what you said last year! This is an interesting phenomenon. There is no shame in being honest with yourself and others. It’s not a contest.

Attending all of the events

This point is linked to the previous two. We want more and we compare ourselves to everyone and therefore, we want to go to all of the events. It makes sense: if I attend every social and every workshop and every congress in my area, I will be a master of salsa by the end of the year…right? Well, no…and you won’t have much left in your savings either. This year, allow yourself to do a little bit less. Instead of attending everything, do your research. Find out which artists are teaching and/or performing at these events and pick and choose the ones you don’t want to miss. If there are six socials per week where you live and you want to go to all of them, great! If you’re exhausted and you can’t keep up, go to the ones that make you happiest, or to the ones that are closest to where you live. You do not have to do everything. I repeat: you do NOT have to do everything. This has been a tough lesson for me to learn over the years, as I tend to feel guilty if I miss an event. This ties into point number two, about those constant comparisons. “If I don’t go to such-and-such event, then I won’t learn the workshops that will make me as good of a dancer as so-and-so.” Or, the dreaded “If I don’t go to such-and-such event, so-and-so will be mad at me.” It’s time to let go of this mindset, so set a goal for yourself to be a little more picky and a little less guilty about the things you miss.

If you haven’t made any dance resolutions yet, here are some suggestions. Pick one or two and really work towards them. Good luck, and happy new year!

  • Choose ONE festival/congress you’d really like to go to this year. Save up and GO!
  • Make an effort to dance with one new person at every social you attend.
  • Pick ONE class you really want to take and sign up. Convince a friend to take the class with you.
  • Get to know some more people in your dance community. Share a drink or a meal together every now and then before or after a social.
  • Stop doing something you don’t like. Maybe you thought you should perform but you actually hate it…don’t do it anymore. It’s that simple.
  • Learn a new skill–whether it be a pattern in a dance you know or some beginner skills in a dance with which you are unfamiliar. Sometimes, a challenge is a great way to reignite the spark for dance.

Do you have any other suggestions? Share your #danceresolutions with us on Facebook, Twitter, and Instagram.

 

How to Save Your Fellow Dancer from Almost Certain Tragedy

Or, if you prefer the non-clickbait title: Handling Food Allergies in the Social Dance Scene.

It’s the holiday season! Lots of tasty treats appear at social dances. We organize potlucks, exchange cookies, and joke about the risk of our waistlines expanding.

This December, I invite you to consider these common situations from a new perspective. What if you had a food allergy? Let’s dispel a few common myths and then take a look at practical steps to make our social dances welcoming for everyone.

“I think people just say they are allergic when they don’t want to eat something.”

Unfortunately that is sometimes true. So, first practical step: never claim to be allergic to something you just don’t like. You’re an adult: no one is forcing you to eat anything. You are making it harder for people who do have food allergies to be taken seriously. Secondly, give people the benefit of the doubt. If they need to tell you they have a food allergy, it’s most likely with good reason.

I know sometimes people claim allergies when they have dietary restrictions. Now, I absolutely believe in respecting people’s dietary restrictions. Whether you keep kosher, believe in being vegan, or are managing diabetes, you should be able to avoid ingredients that don’t fit into your allowed foods. However, once again, claiming an allergy untruthfully is a disservice to people with genuine allergies.

It’s especially unfair to those who have very serious allergies. There’s a big difference between avoiding gluten because you feel like it lowers your energy and having a wheat allergy, where accidental ingestion might leave you covered in hives or struggling to breathe. I can attest that disregarding my lactose intolerance has given me pretty awful stomachaches, but that’s nothing like what my milk-allergic friend has to deal with. If there’s unlisted milk powder in her dish of pasta, she could be stuck in the bathroom most of a day while her body forcibly ejects the offending matter.

Yeah, that sounds gross. And just think, you could help prevent it!

“People with allergies can just avoid the food they’re allergic to, right?”

Let’s take this at face value for a moment. You have an egg allergy. So you know not to eat anything with eggs. When you get to the holiday snack table, you know to avoid any baked goods. You skip any dip or salad that looks like it might have mayonnaise. You also decide to avoid all of the crackers and snack mixes, in case they might have a binder or artificial flavoring with egg.

A practical step that could make this easier would be to label food. Put prepackaged foods out with their ingredient label next to them. Require caterers to provide an ingredient list. Ask potluck participants to write down the ingredients they use. That way people don’t get caught out by unusual or “surprise” ingredients.

For mild allergies, this is probably sufficient. Unfortunately, some people have really active immune systems that are very sensitive to certain allergens. A knife that is reused from one dish to the next or people’s hands dipping into multiple bowls can lead to a reaction because of cross-contamination. Personally, I am allergic to both tree nuts and peanuts. I can’t tell you the number of times I’ve gotten home at the end of the night and started feeling a tell-tale tickle in my throat, then started coughing. “Time for Benadryl!” I think. It’s just normal for me to treat burgeoning reactions whose source are a mystery to me.

“Why don’t people with food allergies just not eat the food?”

Well, in fact, that is a very common strategy. If you know you may have to deal with symptoms ranging from the uncomfortable to the life threatening, you could very wisely choose never to consume any food in an uncontrolled environment. It can be a bit awkward, socially, if you never share food with people, but your health is more important.

Unfortunately that only handles one of the three kinds of allergic reactions: ingestion reactions. That still leaves contact reactions and airborne reactions.

Contact reactions happen when the person is somehow touched by the allergen. Take for example peanut butter, which I like to call the glitter of food allergens. It sticks to everything and spreads everywhere, including places you don’t want it. You might not notice it, but your couple embrace may leave your partner with hives later in the evening. The obvious practical step is to wash your hands after eating something with your hands. That can be inconvenient, for example when you’re just grabbing a little handful of snack mix between dances, but the inconvenience to someone with sensitive skin would be far greater.

Airborne reactions are a lot harder to deal with, so it’s fortunate that they’re not very common. The most common are nut allergies and gluten allergies. Basically the reaction occurs when a person breathes in some particles of the allergen (say, dust from chopped pecans, or some flour) and can result in a range of reactions up to and including respiratory anaphylaxis. That’s a fancy word that means you start feeling your throat itch and then swell. You start wheezing and feeling short of breath. You are soon unable to breathe without medical intervention. Fortunately, you probably carry an EpiPen and can inject epinephrine via a needle into your thigh. That should constrict your blood vessels to increase blood pressure and relax muscles in the lungs to reduce wheezing and improve breathing, according to the EpiPen FAQ.

For some people, it’s enough to avoid being in close proximity to food while it’s being prepared. For others, just dancing with someone who’s recently consumed, say, a handful of mixed nuts, can be a dangerous situation. My friend Kevin in Boston, who also has a tree nut allergy, told me “Breath can make me uncomfortable but won’t debilitate me. I wouldn’t make out with someone, though.”

For myself, I usually get mouth sores after a dance in which I am breathing exhalations that include nut dust. I’ve started taken defensive action: if I smell nuts on someone’s breath, I ask whether they ate something with nuts, and if so whether we can dance later, after they’ve washed their hands and drunk some water.

On rare occasions I may be facing worse trouble, though. I once attended an event commemorating a great dancer, and in his honor they served his favorite dessert: sweet potato pie. They encouraged everyone to have a slice, explaining that they even had vegan pies and gluten-free pies. I was too busy dancing to bother, but within half an hour I could feel my reaction starting: itchy mouth, dry ineffective cough…What could be causing it? What they had neglected to mention was that every one of these (more than a hundred) pies was covered in pecans. Even in that huge venue there was enough nut dust circulating that I was forced to leave immediately and get a liquid antihistamine. I was annoyed and frustrated: it was an expensive event and I was missing my opportunity to dance with people who had gathered from all over the world.

“So, what, we just can’t serve food?”

Not at all! Having food at an event is awesome. I am just encouraging everyone to be considerate. It’s become pretty common to think about vegetarian or gluten-free options. How much more important would it be to avoid having food that can hurt someone even from a distance?

According to the American College of Allergy, Asthma, & Immunology, just 8 allergens are responsible for 90% of all food-triggered reactions: eggs, milk, peanuts, tree nuts, fish, shellfish, wheat, and soy. If we are careful to label those, we make it exponentially easier for people with allergies to navigate a social that offers food. Furthermore, we can try to avoid more problematic foods entirely, such as those that can be inhaled or spread by touch. *coughpeanutbuttercough*

Practical steps

I believe that most organizers want to provide fun social dance spaces that won’t be dangerous to anyone. I spoke to my friend Marshall, a frequent food coordinator for Capital Blues in DC, about his philosophy: “Serving food as part of the event is both a way of showing that we care about our community, and also it just helps them stay, helps them have energy and be happy. And if we’re going to do that, it’s important that everyone be able to participate–not only participate in the eating of the food, but also in the dancing!”

Obviously I wholeheartedly agree.

Here is a list of practical steps for organizers as well as all of us. I have seen all of these in use in a few dance scenes; unfortunately most places don’t bother with any of them. Let’s be willing to help people with food allergies enjoy a dance with as little worry as possible.

1. Take food allergies seriously. There are probably more people in your scene affected by them than you imagine.

2. Label things. That can be as simple as cutting out the packaging label or providing index cards for potluck participants to write on.

3. Keep foods separated. Label serving utensils so they stay with the intended dish. Consider having a separate table for gluten-free items and for nut-free items.

4. Try to avoid common allergens when possible – especially those that tend to wander onto people’s skin or into their lungs.

5. Wash your hands after eating something

6. Respect when someone turns down a dance with you because of an allergen risk.

The holiday season isn’t the only time we might want to consider these steps, but it is a great time to start!

What about your scene? Do you ever have food? Is there any consideration for people with food allergies? Are you a dancer with a food allergy? Share your experiences in the comments below!

Dance is Serious Business: Three Things to Consider Before Stepping Out on Your Own

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The idea of starting a dance or dance-related company or putting on dance events is sexy, but there are many unsexy things to consider when stepping out.  Before you even start with any of the logistics, like locations, insurance, websites, or advertising, you have to do some pretty deep soul-searching. And commit to continual soul-searching as you go.

1. Lead with Why

If you haven’t seen this Ted Talk by Simon Sinek, take 20 minutes and watch it.  When you step out on your own to run a dance business, even if it’s just you initially in the company, you are becoming a leader. This is an important responsibility, and one that should not be taken on lightly. People will be watching you. You will be creating experiences and influencing would-be dancers, new dancers, and seasoned dancers. So figure out why you want to do that. Is it because you see an absence of consistent social dance events in your community? Is it because you see a demand for a certain style of dance in your area that isn’t being filled? Is it because you love dance more than anything in the world and want to dedicate your career to it? No matter the reason, figure out your why.  It’s going to set the tone for your whole business. Often, we try to dive into the logistics—the how— before we’ve established the why.

The why might evolve over time—that’s ok! It’s an important part of the process. You grow and change, so it’s natural that your business is going to as well. Be open to growth and be constantly committed to finding and leading with your why.

2. Fill in the Who and the What

Once you’ve figured out why you want to step out into a dance business, consider the who and the what. Who is going to benefit from your services? Are these people even interested in your services? Are you targeting an existing group of avid dancers, or do you have to build one up from scratch? If you’re going to start teaching classes, who do you want to work with? Teenagers in an after-school program? Retirees who are looking for something to do between golf sessions and happy hour? High-level dancers who are looking to perform regionally, nationally, and internationally?  This is your thing, so you get to call the shots.

Remember, no matter what type of business you run, you are building a community and you are in a position of service.  Who do you want in your community? Who do you want to help? Who needs your help? The people who you serve may evolve over time as well. The who doesn’t have to be demographic, like age, income level, or education level—it can be built out of more abstract ideas. You have to start with something—trying to appeal to everyone will not give your brand a solid foundation. Your potential customers will not identify with your business because they will not see themselves reflected in it.

Once you’ve identified potential populations, think about what you are going to offer them. Group classes? Private lessons? Special events? Socials? A congress or festival? Workshops with guest instructors? An online video platform? An app? A blog?  Dancewear? What product or service can you offer that’s going to fulfill your why for the people whom you serve? If your population is college students who are looking for an alternative to the bar and partying scene, they’ll be more interested in social events than in super technical workshops. What you offer will also change and evolve over time, but brainstorm what might appeal to your population before you get started.

3.Find What Sets You Apart

Using your why, who, and what, you can come up with what is known as your Unique Selling Proposition.  This is what you use to get people to choose you and your business over anybody else’s. Do you have certain experiences that set you apart from the crowd? Maybe you’ve trained extensively with a world Salsa champion, or grew up in the Dominican Republic and knew about Bachata before Bachata was cool.

In many ways, your business is an extension of you, so find your best qualities and use those to create your USP. Enlist the help of your friends and acquaintances. Ask them for words that describe you, to relate their best memory with you, or to give you an example of a time that you helped them out of a tough situation.  You may be surprised what shows up as your USP.

Think about the businesses that you frequent and try to identify their USP. Do you order everything (including some groceries) from Amazon Prime for convenience and speed? Do you visit a certain hairdresser because they give you wine while they cut your hair and it makes you feel luxurious?

It’s easy to throw around generic buzzwords like “superior customer service,” “experienced staff,” and “best value,” but what do those words really mean? Show, don’t tell. Use concrete examples to back up your claims. If you’re the only Kizomba instructor in your area, use that as part of your USP. Talk about how you are committed to staying on top of the Latin dance trends and continually introducing new styles to your community—not just that you are the only Kizomba instructor in town.

Your USP helps you create your identity, and helps your customers latch onto that identity.

Spend some time reflecting on your why, who, and, what, and the attributes that set you apart. Journal, talk to your friends, and start studying other businesses and brands that you admire. When you have a solid ideological base for your business, it becomes the guiding star for all of your subsequent actions and decisions, and makes it easier to stay committed and focused as you move forward.

When You Lose Your (Dance) Mojo!

I’ve lost my mojo.

I haven’t danced regularly in almost a year. In fact, the last time I did any serious amount of dancing was at a small weekend congress about 5 months ago. Even then, my main reason for going was because a bunch of my friends were going too and we organized everything together.

I’m pretty sure I’ve forgotten a large proportion of my already small repertoire of moves. Actually, I feel that I’d be pretty rusty if I even tried to dance right now.

While I do want to dance and socialize like I used to before, I can’t really work up enough motivation to get me to the club for the night.  I’m in a dance-free rut… like I said, I’ve lost my mojo.

Not my first rodeo

I’ve felt something like this before… when I lived in Cali, Colombia and my entire social life revolved almost exclusively around dancing salsa (as is common in Cali). I remember going through a period when I just didn’t enjoy dancing as much as I usually do.

The difference now is that back then, I made the effort to go out and meet up with my friends to dance. I’d dance a few songs, realize I just wasn’t “feeling” it and disappear early… smoke bomb… peace out, salseros!

Bizarre

It’s a very strange feeling; not finding enjoyment in something you’re usually so passionate about. I mean, I have a blog called “The Dancing Irishman”, I’ve written about how much I love dance for years and I’ve introduced lots of people to the world of dance… So if dance doesn’t get me going anymore, something must be up, right?

I eventually got over my dancing rut in Colombia and went about my latin-flavored life as normal, having fun, meeting people and learning new things. Unfortunately, I still haven’t “gotten over” this current spell of dancelessness (this is now a word, by the way). And it’s been quite a doozy of a dance-free period.

So, what’s going on?

I’m sure I’m not the first person in dance history, that has lost their mojo like this. It probably happens to everyone who has been dancing for a while. When I try to think of “why” this might happen to someone, or “what” might cause it, I have to admit that their really could be a lot of possible reasons; with all those reasons depending on everyone’s individual circumstances… in other words “Life”! Sometimes, it just gets in the way.

Never the same for anyone

When I lost my mojo in Colombia, I’m pretty sure it was because I had gotten bored with “my” dance scene in Cali. I say “my” because it was the scene I created for myself: where “I” went regularly, with “my” group of friends. I had made it something regular and predictable and consequently, I got bored with the same places, the same people and the same style of dancing, week after week. I still loved the places, people, and dancing but I guess I had just overdone it and it had lost some of it’s novelty for me.

I suppose that can potentially happen with any good relationship, right? Like the relationship of a married couple. It starts out full of passion and excitement but over time it becomes a little tamer. Then either the couple does something to spice the marriage up again (new activities, vacations, chains and whips and whatnot!!!) to find that original passion or, over time, the marriage begins to fail.

So in Cali, I went through a “rough” patch with my dancing but I gave it time and everything was golden again… for a time.

We might need to see Dr. Phil

This current “rough” patch has been a little bit different. Earlier in the year I launched my own business and all of my time now goes towards that and a couple of other jobs that I maintain. Free time has become a rarity and I’m usually so tired that some vigorous dancing isn’t the first thing to spring to mind when I think of unwinding after a long day.

To add insult to injury, a pretty nasty groin injury has made dancing physically painful and the rehab I’m doing is expected to take quite a while to get me back to 100%. The strange thing is that I’m not sure if I’m using that as a reason for not dancing… or as an excuse.

It’ll pass!?

I remember my rough patch in Colombia. It worried me that I didn’t want to dance and that made me force myself to dance even though I wasn’t feeling it (I actually thought of writing an article something along the lines of what you’re reading right now. I just never got around to it). I should probably have just continued on with my non-dance activities until I the desire to dance just welled back up inside me, instead of forcing myself to enjoy something when the time wasn’t right.

It’s all about timing.

I guess that may be the crux of the whole issue… timing (how coincidental eh!).

For most of us, we started dancing salsa when the timing in our lives was just right. We probably found ourselves at some point, brought about by life events, that gave us (or forced upon us) free time that we decided to fill. What might have started out as pure curiosity then, through that same fortuitous timing, developed into a passion; something that brought real joy to our lives. New friends, exercise, new experiences and all the other benefits that salsa brings.

However, timing can also be fickle and just as it suddenly brought something wonderful into your lives, it jams something else into your life that takes priority. How well you weather that the whole experience will probably determine if dance remains an important part of your life… or not. (Writing  this makes me shockingly aware of relatable this could be to actual romantic relationships too. Timing is a powerful force).

I don’t regret my new priorities in life! On the contrary, I’m incredibly happy and feel  blessed to be doing something that I truly love for a living. I suppose I just miss dancing and all it’s associated fun, a little.

The great thing about this “rough” patch in my relationship with salsa is that it really doesn’t matter if we take a break… dance will always wait for me, if I decide to come back (which I hope to). Dance won’t be offended if it doesn’t hear from me for a while, it’ll let me do my thing until I’m ready.

Once the timing is right, it’ll happen

Keep dancing, folks.

 

Spot On: Tips, Tricks, and Techniques to Perfect Your Turns

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Spotting: The magical ingredient that turns one spin into two, and then three, and four, and keeps you from getting dizzy and following over during multiple turns.

For some people, it’s an elusive concept that they’ve heard of, but have yet to try and master, and for others, it’s a tried-and-true technique they rely on every time they dance. Essentially, spotting is starting at one fixed point for almost the entire revolution of a turn.

If you’re new to spotting, try this: Look at something that won’t move on a wall in front of you. Look at while you slowly rotate around in place. Because of the way our bodies are made, we cannot Exorcist-it… at the point where you are looking over your shoulder, quickly snap your head around and keep looking at that same fixed point.

Voila! Spotting. That’s it in it’s most basic form, and it can be used for ALL turns. But here are some things that happen along the way that keep you from achieving a perfect spot every time.

1. You Close Your Eyes

If you are falling out of the end of your turn, you are probably closing your eyes in the middle of the turn. It’s sometimes a knee-jerk reaction. Oh God, I’m turning, let me close my eyes and pray that I make it all the way around. Keep your eyes open during the ENTIRE turn. Focus just on keeping your eyes open. It will be impossible to see your spot if you close your eyes, even if it’s just for a moment.

2. Your Head Is Out of Alignment

A key to successful spotting is keeping your head in the same plane the entire time you move around. If you dip your chin forward or tilt your head back, you throw off the equilibrium of your turn. Your head is heavy! Most people’s heads weigh about 10 pounds, so use that bowling ball stuck on your spine to your advantage. When your head stays in the same plane the entire time, you don’t lose any momentum moving it around, and it’s easier to keep your eyes locked on your spot. Think about balancing something on your head the whole time you turn.

3. You Forget to Breathe

Besides putting you at risk for passing out, forgetting to breathe can crush your attempts to turn and spot your turn. When you don’t breathe, you tense up. Shoulders creep up to ears, eyes are more likely to close, and you’re much more likely to move your head around than if you just inhale, prep, and exhale on your turn. Practice a breathing in deeply on your preparation and then taking a forceful exhale through your mouth when you are spinning—kind of like you are making a “Ha,” noise, but with your breath. Besides making you conscious of your breath, a strong exhale will force you to squeeze your core, which will also assist you in keeping your balance and make it easier to snap your head around for the end of the spot.

4. You Don’t Take Your Whole Body with You

Spotting is imperative to a good turn, but it’s no use to you if the rest of your body lags behind. For example, if you’re turning to the right, but you don’t make sure that your left shoulder and the left side of your body come with you, you can’t complete your spot. Your left side will be slowing you down and preventing you from completing the revolution. Bringing the opposite side of the body around during a turn is especially important during multiple turns— if you get behind because half of your body hasn’t caught up, there’s no way you can keep going with turn after turn. Bringing the opposite side of the body around will also help you to naturally complete the spot—your head will naturally follow wherever your body goes.

5. You’re Too Tense

Relax! Spotting requires a certain flexibility in the neck and shoulders. Roll out your head and shoulders a few times in each direction before you begin practicing. Make stretching out your neck a daily habit. It’s free and only takes a minute to bring your right ear down to your right shoulder, breathe for 20-30 seconds, and repeat on the left. You can’t expect to whip your head around if your neck is so tight it’s immobile.

Spotting and turning are part art, part science. To master them, you must practice and become hyper-aware of what is happening in your body at every moment. Don’t get discouraged if perfect turns don’t happen immediately. If you’re already a veteran spotter, use some of these tricks to take your turns to the next level and squeeze even more spins out on the dance floor.

Are you pro-spotting or against it? Do these techniques work? What helps you spot? What makes your turns solid? Comment below!

Dancing with Kids

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We have all seen incredible performances by children with awesome dance talent. Some of the youth performances I’ve seen at congresses have blown my mind and even more impressive are the kids who can lead and follow with ease on the dance floor. That being said, some dances (bachata and kizomba, for example) can be very sensual and many people feel as though it’s inappropriate for children to dance in such a manner (with other children and especially with adults). Where do we draw the line between encouraging youth to be involved in a positive activity and protecting kids from being sexualized and growing up too fast? I’m sure there is not a simple answer, but as an educator, I have given this some thought. Here are some helpful suggestions to encourage kids (and keep them safe) in a partner dancing environment. These are ideas for parents, dance teachers, and community members to consider when young people express interest in social dancing.

1. Encourage kids to take partner dancing classes.

By taking classes, children and teens will learn skills more effectively and will be better equipped to lead and/or follow with ease. This can help alleviate some of the awkwardness associated with being a beginner dancer. In addition, they will meet other dancers in a comfortable setting where everyone is learning together. They will also learn about social dance and performance opportunities in the community. Most importantly, they will learn what is appropriate or normal partner dance behaviour. By learning dance etiquette, they will know what to expect when social dancing and be able to recognize if someone is not being respectful.

2. Introduce kids to people in your social dance community.

If you notice kids dancing at an event, introduce yourself to them and/or their parents. Ask them to dance, then introduce them to other dancers you know and trust. If they get to have many positive social dancing opportunities, this will encourage them to keep learning. It will also show them and their parents how safe and welcoming the environment is. I remember dancing with an eleven-year-old boy at one of his first salsa nights; he had been too nervous to ask anyone to dance, so I asked him. I complimented him on his timing and leading skills–he led a pattern better than some of the adults! After that, he seemed more confident to approach other dancers.

3. Make sure adults are aware that they are dancing with kids.

Sometimes, pre-teens and adolescents appear to be older than they actually are which can be problematic for a number of reasons. There is no need to make a big production out of it, but it is important to mention to people, “hey that is a student from my youth class,” or “she is in the teen performing group.” The more adults are aware they are dancing with teens, the safer the teens will be. You may think it’s no big deal and therefore not worthy of concern, but I have brought some of my high school students to salsa events and I can say from experience that it is absolutely essential to mention their age. As wonderful and respectful as the social dance world can be, there are individuals who dance a little bit too close or flirt on the dance floor. Awareness is key.

4. Tell naysayers that DANCE is NOT about SEX.

I’ve mentioned the “dance isn’t sex” argument in other articles (click here for an example) because most films about social dance present it under a romantic lens. Dancing is dancing. It is a fun, safe, and healthy activity that brings people together. There will always be people who perceive partner dancing (Latin dancing in particular) to be overtly sexual and therefore inappropriate for children. Remind those who hold this view that that is not the case. Partner dancing is about building trust, confidence, and community. It teaches people to respect themselves and respect one another. Honestly, the Latin dance community is a safe environment for dancers of all levels and ages. While there may be some individuals who do not want to dance with kids or who don’t know how to dance appropriately (likely because they are inexperienced), the majority of salseros know how to show young people the ropes. So, look out for kids on the dance floor and be a positive influence. Let’s nurture the next generation of salseros!

5. Choreograph age-appropriate routines.

Although I just said dance is not about sex, it can be very sensual. This is difficult to address because art is subjective and so is the notion of “age-appropriate!” Instructors and coaches must be mindful of the age group of the dancers when putting together a routine. In particular, if children are dancing with adults, a choreographer should be careful to avoid sexualizing youth. I have seen some routines in which adult men are dancing with twelve, thirteen, or fourteen-year-old girls (and if nobody had told me their age, I would never have been able to guess). These routines were beautiful, but I felt uneasy watching such young women moving so provocatively with grown men. The safety of these girls should be the number one concern; although they may be smart enough and confident enough to make their own decisions and move how they want to, there could be audience members who get the wrong idea from their movements. A friend of mine is a salsa instructor and she describes how she wants to protect her daughter and keep her safe; so, her salsa class for little girls keeps the movements very innocent in comparison to the sexy moves from her adult ladies styling class. I hope all instructors make the same considerations. By expressing my concern, I’m not trying to say that dance should be censored (nor that it’s only the girls we need to worry about), but it’s worthwhile to have these conversations and make sure kids aren’t being exploited in any way. 

To summarize, I’m all for nurturing the younger generation to hit the floor. It’s pretty cool to watch kids grow up in a dance environment and blossom into incredible dancers. As adults, it is our responsibility to look out for kids, to encourage, guide, and protect them. When it comes to partner dancing and choreography, some people believe that teaching kids to move in a way that is even remotely sensual is completely inappropriate and unfair to the kids; others argue it is authentic, empowering and beautiful art. What are your thoughts on this topic? Please share your comments below.

You NEED to be OK with Dancing like an Idiot!

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It is probably what holds us back most in life, not just in dancing but in everything we do.

That most irrational of fears, that is powerful enough to paralyze us in our actions and hold us back from achieving what we want. In reality, it’s unfounded and ridiculous. In practice, it’s crippling.

I am, of course, speaking about THE FEAR THAT EVERYBODY’S WATCHING!!!!

I feel like I’m being watched
Most people have felt this, if not when dancing then when doing something (virtually anything) in a public setting. The fear that everybody around is not only watching us but also judging us, is strong enough to stop us from attempting anything where there is a risk (real or merely conceived) of failure.

I’m not going to attempt to get into the psychology of it but if you’re reading this then you know exactly what I’m talking about.

It’s the fear that stopped me, on my first night at a salsa club, from asking anyone other than my girlfriend to dance (until it was almost the last song of the night and I danced with a stranger for the last 30 seconds of a song… oh yeah, totally fearless!). It’s the fear that overcomes us the first time we ever sing karaoke and it’s the fear that forces many people to resort to “Dutch Courage” in social situations.

It is a futile fear that does a great disservice to the endeavors of mankind!
(Give me an Amen!)

Learning to dance like nobody’s watching
So, how in the name of all that is good and latin are we supposed to overcome this paralyzing fear and become the great salseros that we are destined to be??

We’ve all heard this a million times right! It’s one of those stupid motivational phrases that’s supposed to help us break free from the self-imposed chains that are our fears… blah, blah, blah! It’s usually followed by some equally nauseating sentences on a cutesy poster… just like this one…

Normally my response to things like this is to try and hold back my gag reflex.

However, for the purpose of this article I feel it serves a purpose. If we could learn to dance like nobody’s watching we could finally relax into the dance, free up our movements and really starting enjoying the intricacies of the music that moves us. We need that sense of freedom to dance well!

I’m certain that all you’re thinking right now is something along the lines of “But everyone IS watching me when I dance, waiting for me to mess up so they can point and laugh at my failure forcing me to run from the dance-floor, hiding my tears with my hands and later moving to a small, middle-of-nowhere town on a different continent so that I can begin my life anew, vowing to never make the near fatal mistake of dancing in public again”….that’s what you were thinking right!?

Well have no fear, fellow student of dance, for I once again have the solution needed by all of us socially awkward dancers.

Come closer… the secret to learning to dance like nobody’s watching… is to actually dance WHEN nobody’s watching!

The inspiration for this genius piece of advice came to me tonight when I put on some music and decided to practice some shine’s I had seen in a class this week.

So I danced… by myself… in my living room… in front of an audience of NONE! AND I LOOKED LIKE AN ABSOLUTE IDIOT! And that’s exactly what I needed.

When you are genuinely free from the anxiety of being judged by others you don’t care how much of an idiot you look like. You loosen up and the magic starts to happen!

You can practice moves you would never dream of attempting on the dance-floor for fear of making a mistake. You can listen to the music without the worry of having to lead or follow a partner and appreciate the way it changes. You can loosen up all those muscles that automatically tighten up when you’re in public.

This new, relaxed you can now practice the body isolations, shines, rumba or even just the basic steps while enjoying the music, reacting to it organically instead of moving like a clunky, rusted tin-man.

While writing this article I’ve actually stood up a few times, when a song I liked came on ( I have a salsa playlist just for getting me in the mood for writing), and just danced to it; On1, On2, shines, assorted stupidness etc. I lost count of how many times I lost the beat (or my balance) but it doesn’t matter. NOBODY’S WATCHING!

And here’s the beauty of dancing like and idiot when nobody’s watching. If you do it regularly enough you start getting better at what you practice and amazingly you’ll eventually be able to do it IN PUBLIC!

You’ll become more comfortable with yourself and how you move and that translates to confidence on the dance-floor. There ain’t nothin’ sexier than confidence.

My one caveat for this exercise is that you try and do it in front of a mirror so that you can make sure the movements you’re getting used to aren’t completely… ridiculous 😉

So here’s your homework: lock the door, put on a playlist of some of your favorite salsa songs (the funkier the better), find a few youtube videos of some of your favorite dancers for a little inspiration and just start moving. The music will let you know what you need to do!

Keep dancing folks!

 

Hey guys – Here’s How To Get Invited For A Dance!

In a lot of our social dance scenes, the expectation is that men should ask women to dance. Some have that more engrained than others (think tango), but in most Latin scenes that’s the general rule. Men will do most of the asking.

I’ll tell you right off the bat – I don’t agree with that. First of all, when we define roles in dance according to “men” and “women” then we set ourselves up to exclude some people. Secondly, in the scenes I was part of as a beginner dancer (ballroom and lindy hop), I was always encouraged to feel free to ask people to dance. And I did! Sure, it could be scary at times, but it was something everyone was doing.

“With you? No.” Ouch.

I also don’t think it’s fair to put the burden of rejection on men. Many of you know by now I don’t think saying “No, thank you” to a dance should be vilified, but I also recognize that it can be hard to be on the receiving end. Why should the guys have to be the ones always pursuing partners and risking being turned down?

But the topic of this article is some advice for men who would like to have partners come and ask them.

Read on regardless of your gender, because most of this is pretty universal! And hey, it’s always nice to be asked.

1. Smile!

This is the quickest way to get more invitations. You don’t have to keep a grin plastered on your face. Just show reasonably good spirits. You don’t want to scare anybody off, right?

2. Clean Up

It comes down to two things: smelling nice and having a reasonably dry shirt. Ladies have to deal with some pretty high standards of hygiene when they come out to a party. It makes sense that they don’t want that to be messed up by someone they ask for a dance. I know I have complained when someone’s shirt leaves a wet mark on the front of my dress!

Let’s be real – we all sweat. If this is a particular struggle for you, bring a small bag to the dance with a small towel, some deodorant, and a few extra shirts. When you feel your shirt getting wet (or when you notice people giving you some extra space), duck into the restroom for a chance to freshen up and switch to the next shirt. There’s no shame in it; in fact, you’re likely to get appreciative comments if anyone even notices that you’ve changed.

3. Dress Appropriately

At a minimum, wear shoes that you can easily move in. Ladies are rightfully afraid to dance with men wearing heavy shoes or boots – many of us wear shoes that expose much of our feet! (And all of us have stories of abraded skin and crushed toes.) If you have dance shoes, it’s worth the extra effort to bring them along in a shoe bag and change into them at the dance. If not, or if you’re dancing at a bar, try some lightweight dress shoes or sneakers.

Of course, looking sharp never hurts. That could mean anything from a fitted tee and jeans to a jacket and tie, depending on the context or dance style. Given how much time I put into getting ready for a party, I enjoy inviting partners who have clearly made an effort as well.

4. Be Approachable

If you want to be asked to dance, you need to seem available. Sitting at the bar with your drink won’t help. Neither will having your eyes glued to your phone. It can also be intimidating for women to approach you if you’re always hanging out with your girlfriend. That’s not to say you shouldn’t spend time with her at the dance, but ladies won’t be likely to interrupt your date.

Try to angle your body towards the dance floor. If 50% or more of your chest is facing the dancing, and especially if your eyes are on the floor, you will seem ready to join the dancing. Of course you should take time to have a drink and chat with people on the side! However, especially when one song is ending and another beginning, you want to seem open to being asked for a dance.

5. Get to Know People

The number one thing that will make a lady ask you to dance is if she knows you. That doesn’t necessarily have to mean that you’ve danced together before. Strike up conversations with those who aren’t dancing at that moment. If you’re new to the scene or just visiting, let people know that you’d appreciate being introduced to other dancers. Particularly in a community-oriented scene, you just need a simple “This is _____ who’s visiting us today for the first time” and you’ll be welcomed and invited for dances.

If you’re going to be spending time in one scene more consistently, it’s worth investing time to get to know people regardless of their gender or preferred dance role. Ask people about their favorite spots to eat nearby, what draws them to this style of dance, what music they’d recommend to you – anything but the standard “What do you do for a living?” or “How long have you been dancing?”

When people feel that you are part of their community, they are far more likely to ask you to dance and encourage others to dance with you as well. Plus, it’s hardly ever a bad idea to make new friends!

6. Be a Good Social Dancer

Obviously this one takes the most time and effort. Don’t be confused, though – I don’t mean that you need to have a certain level or know a bunch of moves. As long as you can do the basics well, you have the potential to be a good social dancer.

Ladies keep an eye out for men who make their partners smile. They appreciate leaders who are present and paying attention to their partners. That means not using a woman to show off and not being too aggressive in how they lead their partners. Followers deserve to feel safe and valued in the dance. As in so many areas of life, it’s not what you do but how you do it that counts.

It also helps if you show you’re willing to dance with all kinds of women. Ladies fear rejection just as much as guys do, and we carry plenty of insecurities, too. If you look happy when you’re dancing with women young and old, fit or not, inexperienced to pro, then you open yourself up to a lot more invitations.

Plus, I have it on good authority that certain guys will happily ask other men to dance as long as they’ve seen them dancing with guys in the past. Not as a comedic stunt, but with genuine interest in leading or following. I’m not a man, but I’ve got enough of a reputation a leader that men will seek me out at kizomba festivals to ask me to lead them, because they want to work on their following. If you’re willing to lead guys or are interested in exploring following, you’ll have that many more opportunities to be invited to dance.

Thanks to all of the dancers who contributed to this post by sharing their thoughts on my Facebook post.

Sorrel Holliday wrote an article with some advice for ladies on how to get invited to dance.